글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Due to the fact most people do not have adequate blood to interact in challenging action by using a whole belly, your body will rebel to begin with by building you are feeling horrible, but This is certainly an predicted reaction. I wish the gang to experience alone properly taken care of, Specially since it life and allows me Reside; The posts are set, the booth of boards done. Ye crowd much more near! My very own process is cheered by the discovery, which the a lot more closely I reproduced the language of the first, the more of its rhythmical character was transferred concurrently. I come to feel impelled, its which means to ascertain,-- With trustworthy objective, at the time for all, The hallowed First To change to my beloved German. Very well-created you are, 'tis to not be denied, The remainder a bold tackle will get you; When you but in oneself confide, Without delay confide all Other folks in you. Thus, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is definitely my correct aspect. Hayward's entirely omits the factor of poetry.
Hayward's ear didn't dictate to him the requirement of preserving the original rhythm. I honor him to the affected individual and conscientious labor he has bestowed upon his translation,--I are not able to but think that he has himself illustrated the unsoundness of his argument. Poetry is not basically a manner of expression: it's the form of expression Definitely demanded by a certain class of Tips. The English ear is suspicious of latest metres and unaccustomed sorts of expression: there are crucial detectives about the observe of each writer, as well as a violation from the acknowledged canons is followed by a summons to judgment. In Poetry which endures by its individual inherent vitality, there is no pressured union of these two features. The creator's assumed is stripped of a last grace in passing as a result of his head, and often provides a great deal a similar resemblance to the initial being an unhewn shaft for the fluted column.
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